Making the First Edit in Final Cut Pro X 10.2

Learn how photographer Bruce Hall, who is legally making the First Edit in Final Cut Pro X 10.2, uses his Mac to create beautiful images. See how Peter Kariuki developed an app on his Mac that’s helping make Rwanda’s roads safer. Discover how Grimes writes, records, and produces her own music — all on her Mac. Mac The vision is brighter than ever.

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Making the First Edit in Final Cut Pro X 10.2

Movie Tell stories like never before. A simple design and intuitive editing features make it easy to create beautiful 4K movies and Hollywood-style trailers. With an intuitive interface and access to a complete sound library, it’s never been easier to learn, play, record, and share music like a pro. Pages This powerful word processor gives you everything you need to create documents that look beautiful.

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Final Cut Pro X Built to meet the needs of today’s creative editors, Final Cut Pro offers revolutionary video editing, powerful media organization, and incredible performance optimized for Mac computers and macOS High Sierra. Logic Pro X Logic Pro puts a complete recording and MIDI production studio on your Mac, with everything you need to write, record, edit, and mix like never before. And with a huge collection of full-featured plug-ins along with thousands of sounds and loops, you’ll have everything you need to go from first inspiration to final master, no matter what kind of music you want to create. Motion Motion is a powerful motion graphics tool that makes it easy to create cinematic 2D and 3D titles, fluid transitions, and realistic effects in real time. Compressor Add power and flexibility for exporting projects from Final Cut Pro. Compressor is the perfect companion for custom encoding. Dark Mode to make your work stand out.

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This article needs additional citations for verification. Not to be confused with Dolby Pro Logic. MIDI sequencer software application for the macOS platform. A consumer-level version based on the same interface and audio engine but with reduced features, called Logic Express, was also available at a reduced cost. Logic Pro provides software instruments, audio effects and recording facilities for music synthesis. Logic Pro and Express share many functions and the same interface. The Space Designer plugin attempts to emulate the characteristic echo and reverberation of a physical environment, using a method called convolution.

Audio effects include amp and guitar pedal emulators, delay effects, distortion effects, dynamics processors, equalization filters, filter effects, imaging processors, metering tools, modulation effects, pitch effects, and reverb effects. One machine runs the Logic Pro app, while the other machines on the network run the Logic node app. In the mid-to-late 1980s, Gerhard Lengeling and Chris Adam developed a MIDI sequencer program for the Atari ST platform called Creator. When musical notation capabilities were added, this became Notator, and later Notator SL. For simplicity these three are collectively referred to as Notator.

While rich in features, early versions of Logic on the Atari lacked the intuitiveness and immediacy of either Cubase or Notator, and never achieved the same success. Logic, together with the rise of the PC, gained popularity again. Apple acquired Emagic in July 2002. The announcement included the news that development of the Windows version would no longer continue. This announcement caused controversy in the recording industry with an estimated 70,000 users having invested in the Windows route not wishing to reinvest in a complete new system. Logic 5 featured significant improvements in user interface, and increased compatibility with more types of computers, operating systems, and a wide range of audio interfaces. 1 was the last version to be released for Windows.

From Logic 6 onwards, the software would only be available on Mac OS. With Logic 6, Emagic added the availability of separately packaged software products that were closely integrated add-ons developed specifically for use with Logic, including software instruments, the EXS sampler and audio processing plug-ins. Pro Tools TDM support, into a single product package. Apple also released a scaled down version of Logic called Logic Express, replacing two previous versions that filled that position called Logic Silver and Logic Gold. Logic Pro 7 was released September 29, 2004.

Most notably, Apple modified the interface of Logic 7 to look more like a product that was developed by Apple. Pro-Tools TDM compatibility, which had been a feature of Logic since version 3. 5, was not supported by Logic 7. TDM support returned with the release of Logic 8.

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On September 12, 2007, Apple released the Logic Studio suite that included Logic Pro 8. Logic Pro was no longer a separate product, although a limited version Logic Express 8 was released on the same day, and remained a separate product. Significant changes were made for Logic 8. Logic Pro 8 was now mainly Cocoa code, but still included some Carbon Libraries. Apple included features such as Quick Swipe Comping, similar to Soundtrack Pro 2, and multi-take management. Apple also made changes to ease of use. These include the discontinuation of the XSKey dongle, and a streamlined interface.

Each plug-in used in the channel strip opens in a new window when double-clicked. Many of the features found in Logic 7 have been consolidated into one screen. On July 23, 2009, Logic Pro 9 was announced. A major new feature included “Flex Time”, Apple’s take on “elastic” audio, which allows audio to be quantized.

On January 12, 2010, Apple released Logic Pro 9. 1, an Intel only release, thereby officially discontinuing Logic for the PowerPC platform. 1 has the option of running in 64-bit mode, which allows the application to address more memory than in the past. Says Apple “With 64-bit mode, the application memory is not limited to 4GB as with 32-bit applications, so there is essentially no practical limit by today’s standards.

On December 9, 2011, Apple announced that Logic Pro Studio 9 would no longer be available on DVD, and would only be sold via the Mac App Store. The download was just over 400MB, and 19GB of optional loops were available as in-app downloads. This version of Logic Pro Studio 9 no longer allows users to access any microtunings in Scala format other than those provided with the software by Apple. Final Cut Pro X, as well as new features. Since this release, Logic Pro X runs in 64-bit mode only and no longer works with 32-bit plug-ins.

Logic Pro X is capable of transferring most data from previous projects saved in Logic Pro 5 and later, though the transfer to 64-bit only means older 32-bit plugins will no longer work. New in Logic Pro X 10. The Logic Pros: A look at Logic’s new heavy weight sample manipulation synth Alchemy”. Archived from the original on December 2, 2014. Creator was followed by Notator, which ran on the Atari ST platform. Notator Logic was launched in 1992 for both Atari, Macintosh and Windows. In 2002, Apple bought the software and discontinued all Windows based support for the program.

Like Notator, Vision, and several other of the early MIDI sequencers, it was pattern-based. There was no timeline, no timeline-based looping of selections, and no arrange page. This method was more like a relational database than a modern computer sequencer. Users programmed various parts, comprising rhythms, chords and melodies, then programmed the order and number of repetitions of each of these parts to form songs.

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According to Digidesign’s compatibility document for Pro Tools TDM HD 7. 3, Logic Pro will require a future update from Apple to support Pro Tools HD DAE for Intel-based Macs. A First Look At Logic Pro 9″. Archived from the original on October 1, 2009.

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Logic Pro 9 Product Page on Mac App Store”. Review: Logic Pro X loses none of its power, gains great new features”. UI with no compromises for pros”. MacOS-only software made by Apple Inc. Pro Apps family of software programs. It was released on June 21, 2011 for sale in the Mac App Store.

Keyword Ranges, Favorite and Rejected Ranges, and Smart Collections allow for faster sorting of a large number of clips. Magnetic Timeline: Inventing an alternative to track-based timelines found in traditional NLEs, Final Cut’s Magnetic Timeline uses Clip Connections to keep Connected Clips and Secondary Storylines in sync with clips located on the Primary Storyline. Roles: In order to separate and organize different audio types on the magnetic timeline, editors can designate what “role’ each clip plays. 1, Roles can be assigned to clips as an alternate way of creating organizational functionality. This process generates metadata that can automatically be organized as Keywords and can grouped into Smart Collections. Synchronized Clips: Video and audio clips recorded on separate devices can be synched automatically by timecode, audio waveforms, and markers together as a single clip. Compound Clips: Nested Sequences from the original Final Cut Pro have been replaced by Compound Clips.

Making the First Edit in Final Cut Pro X 10.2

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A selection of video and audio clips can be nested into a single Compound Clip. This Compound Clip can be opened in its own timeline or broken apart for further editing. It can also be reused in different Projects. Closed Captions: Introduced in version 10. 1, closed captions can be created right in the timeline or imported into the timeline from an external file. Multicam Editing: Introduced in version 10. 3, multiple camera angles can be synchronized automatically and combined into a Multicam Clip.

Once in the timeline a Multicam Clip can be cut up into different angles by using the Angle Viewer. A Multicam Clip can be opened in the Angle Editor where new angles can be added, synched, relabeled, and rearranged at any time. Once in the timeline an Audition allows the user to choose between different clips in their edit while the timeline ripples automatically in order to preview two or more different versions of a cut. 3D Titles: Introduced in version 10. 0, text can be extruded, textured, lit, and shaded with materials and environments in 3D.

This allows users to create titles like those found in Hollywood blockbuster movies directly in the application. 360 Degree Video Editing: Introduced in version 10. While inheriting the name from its predecessor, Final Cut Pro, Final Cut Pro X is a completely re-written application. As a native 64-bit application it takes advantage of more than 4GB of RAM. Final Cut Pro X was made available for purchase and download on the Mac App Store on June 21, 2011 along with new versions of Motion and Compressor. Because Final Cut Pro X abandoned a track-based timeline in favor of the Magnetic Timeline initially there were limitations in exporting audio stems for Broadcast and Distribution needs. On September 9, 2011 version 10.